John Crowley's BROOKLYN: proves that good taste need not make a film puerile or naive. Quietly devastating, emotionally bombastic. 8/10— Nathanael Hood (@NateHood257) December 20, 2015 I adored the cinematography in BROOKLYN, particularly how Yves Bélanger constantly limited the number of light sources for shots.— Nathanael Hood (@NateHood257) December 20, 2015 The lighting was so sparse that there were rich shadows even in scenes that took place outside in the sunshine.— Nathanael Hood (@NateHood257) December 20, 2015 As much as I loved Saoirse Ronan, I hope Emory Cohen's performance doesn't get lost in the shuffle.— Nathanael Hood (@NateHood257) December 20, 2015 Cohen seems to channel the quiet yet intense sincerity of Ernest Borgnine in Delbert Mann's MARTY (1955).— Nathanael Hood (@NateHood257) December 20, 20158/10
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